04-11-2004, 08:32 PM
Bitter Fruit Achmat Dangor
The last time Silas Ali encountered the Lieutenant, Silas was locked in the back of a police van and the Lieutenant was conducting a vicious assault on Lydia, his wife. When Silas sees him again, by chance, twenty years later, crimes from the past erupt into the present, splintering the Ali's fragile family life. Bitter Fruit is the story of Silas and Lydia, their parents, friends and colleagues, as their lives take off in unexpected directions and relationships fracture under the weight of history. It is also the story of their son Mickey, a student and sexual adventurer, with an enquiring mind and a strong will. An unforgettably fine novel about a brittle family in a dysfunctional society.
The Electric Michelangelo Sarah Hall
Beginning as a humble apprentice in Morecambe Bay, Cy flees to America, where he sets up his own tatoo business on the infamous Coney Island boardwalk. In this carnival environment of roller-coasters and freak shows, Cy becomes enamoured with Grace, a mysterious circus performer.
The Line of Beauty Alan Hollinghurst Â…. THE WINNER !!!
It is the summer of 1983, and young Nick Guest has moved into an attic room in the Notting Hill home of the Feddens: Gerald, an ambitious new Tory MP, his wealthy wife Rachel, and their two children, Toby - whom Nick had idolized at Oxford - and Catherine, always standing at a critical angle to the family and its assumptions and ambitions. As the Thatcher boom-years unfold, Nick, an innocent in the worlds of politics and money, finds his life altered by the rising fortunes of the glamorous family he is entangled with. Two vividly contrasting love-affairs, with a young black clerk and a Lebanese millionaire, dramatize the dangers and rewards of his own private pursuit of beauty, a pursuit as compelling to him as that of power and riches to his friends.
Starting at the moment The Swimming-Pool Library ended, The Line of Beauty traces the further history of a decade of change and tragedy. Richly textured, emotionally charged, disarmingly comic, it is a major work by one of the finest writers in the English language.
Cloud Atlas David Mitchell
A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified ‘dinery server' on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation – the narrators of Cloud Atlas hear each other's echoes down the corridor of history, and their destinies are changed in ways great and small.
In his captivating third novel, David Mitchell erases the boundaries of language, genre and time to offer a meditation on humanity's dangerous will to power, and where it may lead us.
The Master Colm Toibin
It is January 1895 and Henry James's play Guy Domville, from which he hoped to make a fortune, has failed on the London stage. The Master opens with this disaster and takes James through the next five years, as having found his dream retreat, he moves to Rye in Sussex. It is there he writes his short masterpiece, The Turn of the Screw, in which he used much of his own life as an exile in England and a member of one of the great eccentric American families. He is impelled by the need to work and haunted by sections of his own past, including his own failure to fight in the American Civil War, the golden summer of 1865, and the death of his sister Alice. He is watchful and witty, relishing the England in which he has come to live and regretting the New England he has left.
I'll Go to Bed at Noon Gerard Woodward
Colette Jones has had drink problems in the past, but now it seems as though her whole family is in danger of turning to alcohol. Her oldest son has thrown away a promising musical career for a job behind the counter in a builders' merchants, and his drinking sprees with his brother-in-law Bill, a pseudo-Marxist supermarket butcher who seems to see alcohol as central to the proletarian revolution, have started to land him in trouble with the police. Meanwhile Colette's recently widowered older brother is following an equally self-destructive path, having knocked back an entire cellar of homemade wine, he's now on the gin, a bottle a day and counting. Who will be next? Her youngest son had decided to run away to sea, but when her own husband hits the bottle Colette realises she has to act. As the pressure builds on Colette to cope with these damaged people, her own weaknesses begin to emerge, and become crucial to the outcome of all their lives. By way of an odyssey through the pubs, parks and drying-out clinics of suburban North London, Gerard Woodward's richly woven second novel I'll Go To Bed At Noon charts in microscopic detail the continuing history of a troubled but unforgettable family (first encountered in August) as it lurches from farce to tragedy and back again, and from one end of the 1970's to the other, and at the same time presents an unflinching portrait of British society in the unstable years leading up to the Thatcher revolution.
The last time Silas Ali encountered the Lieutenant, Silas was locked in the back of a police van and the Lieutenant was conducting a vicious assault on Lydia, his wife. When Silas sees him again, by chance, twenty years later, crimes from the past erupt into the present, splintering the Ali's fragile family life. Bitter Fruit is the story of Silas and Lydia, their parents, friends and colleagues, as their lives take off in unexpected directions and relationships fracture under the weight of history. It is also the story of their son Mickey, a student and sexual adventurer, with an enquiring mind and a strong will. An unforgettably fine novel about a brittle family in a dysfunctional society.
The Electric Michelangelo Sarah Hall
Beginning as a humble apprentice in Morecambe Bay, Cy flees to America, where he sets up his own tatoo business on the infamous Coney Island boardwalk. In this carnival environment of roller-coasters and freak shows, Cy becomes enamoured with Grace, a mysterious circus performer.
The Line of Beauty Alan Hollinghurst Â…. THE WINNER !!!
It is the summer of 1983, and young Nick Guest has moved into an attic room in the Notting Hill home of the Feddens: Gerald, an ambitious new Tory MP, his wealthy wife Rachel, and their two children, Toby - whom Nick had idolized at Oxford - and Catherine, always standing at a critical angle to the family and its assumptions and ambitions. As the Thatcher boom-years unfold, Nick, an innocent in the worlds of politics and money, finds his life altered by the rising fortunes of the glamorous family he is entangled with. Two vividly contrasting love-affairs, with a young black clerk and a Lebanese millionaire, dramatize the dangers and rewards of his own private pursuit of beauty, a pursuit as compelling to him as that of power and riches to his friends.
Starting at the moment The Swimming-Pool Library ended, The Line of Beauty traces the further history of a decade of change and tragedy. Richly textured, emotionally charged, disarmingly comic, it is a major work by one of the finest writers in the English language.
Cloud Atlas David Mitchell
A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan's California; a vanity publisher fleeing his gangland creditors; a genetically modified ‘dinery server' on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilisation – the narrators of Cloud Atlas hear each other's echoes down the corridor of history, and their destinies are changed in ways great and small.
In his captivating third novel, David Mitchell erases the boundaries of language, genre and time to offer a meditation on humanity's dangerous will to power, and where it may lead us.
The Master Colm Toibin
It is January 1895 and Henry James's play Guy Domville, from which he hoped to make a fortune, has failed on the London stage. The Master opens with this disaster and takes James through the next five years, as having found his dream retreat, he moves to Rye in Sussex. It is there he writes his short masterpiece, The Turn of the Screw, in which he used much of his own life as an exile in England and a member of one of the great eccentric American families. He is impelled by the need to work and haunted by sections of his own past, including his own failure to fight in the American Civil War, the golden summer of 1865, and the death of his sister Alice. He is watchful and witty, relishing the England in which he has come to live and regretting the New England he has left.
I'll Go to Bed at Noon Gerard Woodward
Colette Jones has had drink problems in the past, but now it seems as though her whole family is in danger of turning to alcohol. Her oldest son has thrown away a promising musical career for a job behind the counter in a builders' merchants, and his drinking sprees with his brother-in-law Bill, a pseudo-Marxist supermarket butcher who seems to see alcohol as central to the proletarian revolution, have started to land him in trouble with the police. Meanwhile Colette's recently widowered older brother is following an equally self-destructive path, having knocked back an entire cellar of homemade wine, he's now on the gin, a bottle a day and counting. Who will be next? Her youngest son had decided to run away to sea, but when her own husband hits the bottle Colette realises she has to act. As the pressure builds on Colette to cope with these damaged people, her own weaknesses begin to emerge, and become crucial to the outcome of all their lives. By way of an odyssey through the pubs, parks and drying-out clinics of suburban North London, Gerard Woodward's richly woven second novel I'll Go To Bed At Noon charts in microscopic detail the continuing history of a troubled but unforgettable family (first encountered in August) as it lurches from farce to tragedy and back again, and from one end of the 1970's to the other, and at the same time presents an unflinching portrait of British society in the unstable years leading up to the Thatcher revolution.